Dub techno vst4/9/2023 I’ve found with samplers, the older the better. Many samplers out there can help add warmth, and give a flat and dull digital sound a new lease on life. Sampling is an art in itself and an integral part of how this music came to be. Build a library of sounds that are your own, as it will help to build a unique sonic signature for yourself. If you get a new synth (hardware or VST), delete the factory presets and start from ground zero (most synths have a factory restore!). Like a person, each one has its own unique sonic signature, its own “sound”-one which could be built upon by learning the instrument inside and out. Get involved with your synths-every aspect of their functions and unique personalities. Sound design is by far one of the most personal aspects of my music and what I generally spend the most time doing. But with a studio full of analog gear and a penchant for warm, crackling tones, Hitchell has brought an airiness to a sound that originated in hard, deeply contrasting sonic textures, particularly on this year’s Seduction of Silence (Echospace). Under his many monikers, including the collaborative Echospace project with Rod Modell, Hitchell has helped bring about a renaissance of the genre, which many had assumed would falter after the dissolution of Basic Channel. Intrusion) crafts dub-techno that sounds like it’s underwater, or floating through the air from a basement club 10 blocks away. Chicago-area producer Stephen Hitchell (a.k.a.
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